On August 18, Choi Si-won’s YouTube channel released a video titled “A Rainy Tour of Gyeongbokgung Palace (feat. Interpreter Yang In-eok),” featuring the singer and actor as he explored the historic palace alongside volunteer cultural heritage interpreter Yang In-eok. The pair toured various parts of the historic palace while learning about its history and cultural significance.
During their visit, Choi Si-won noticed a foreign tourist smoking among the crowds inside the palace grounds. Rather than simply observing the situation, Choi Si-won immediately approached the tourist.
Choi Si-won reportedly said simply: “Excuse me, please.” His short but clear request conveyed that the tourist should stop smoking. The visitor appeared to understand what Choi Si-won meant and immediately lowered the cigarette. Choi Si-won then responded: “Thank you.” The brief exchange ended without confrontation, and Choi Si-won returned to his tour of the palace.
The incident has attracted attention not simply because Choi Si-won intervened, but because of the calm and respectful way he handled the situation. As a globally recognized celebrity with a large international fanbase, Choi Si-won could have simply ignored the violation or waited for staff to intervene. Instead, he personally addressed the situation while maintaining a courteous tone. The interaction also demonstrated how a simple and respectful approach can resolve an uncomfortable situation without escalating it into a confrontation.
After the incident, Choi Si-won continued his tour of Gyeongbokgung Palace with Yang, learning more about the site’s history and cultural importance. The video concluded with a broader message emphasizing the value of freedom and peace, giving the visit a deeper meaning beyond simply touring one of Seoul’s most famous landmarks.
Gyeongbokgung Palace, originally built during the Joseon Dynasty, is one of South Korea’s most significant historical sites and remains a major destination for both domestic and international visitors.
Choi Si-won’s interaction with the tourist has consequently resonated with viewers as a small but meaningful example of respecting Korea’s cultural heritage and public spaces.