On April 3, T.O.P officially made his comeback with his first full-length studio album ANOTHER DIMENSION (Top Spot). The release quickly drew massive attention across social media platforms. Beyond his distinct personal musical style, the spotlight also fell on how he openly referenced his former group BIGBANG and past controversies—particularly those linked to Seungri.
The album features 11 tracks that reflect T.O.P’s unique artistic identity, led by title songs Studio54 and Desperado. Other tracks such as Self Crucifixion, A Small, Filthy Show Window, Another Dimension Holy Dude !!!!!!!!!!, and Stendhal Syndrome further build a dark, unpredictable sonic landscape. While OVAYA (A Small, Filthy Show Window) gained attention for directly mentioning BIGBANG, another track has drawn even more controversy for allegedly hinting at Seungri.
The center of the debate is Studio54, which quickly became a hot topic due to its sharp and emotionally charged lyrics. In the track, T.O.P repeatedly delivers the line: “Dirty sun, dirty sun, they just ruined my soul.”
This immediately sparked widespread speculation among fans and media. Many believe the line is a direct reference to Seungri and the infamous Burning Sun scandal. The phrase “dirty sun” is interpreted by some as alluding to the nightclub network tied to the controversy, which severely damaged Seungri’s reputation and, by extension, BIGBANG’s image.
The scandal, which involved allegations such as prostitution mediation, illegal gambling, embezzlement, and foreign exchange violations, remains one of the darkest chapters associated with the group’s former youngest member.
However, not everyone agrees with this interpretation. Some listeners argue that T.O.P is not directly attacking Seungri. Instead, they point out that the title Studio54 itself references a notorious real-life nightclub, suggesting the song may be a broader artistic expression rather than a targeted diss. For these fans, the track feels more like a melancholic reflection on the rapper’s past and lost youth.
Throughout the album, T.O.P does not shy away from expressing his deep connection to BIGBANG. In Studio54, he openly admits that he fully devoted his twenties to the group, stating through his lyrics that it is something undeniable, while also acknowledging the scars left behind for both himself and fans.
In addition, songs like OVAYA (A Small, Filthy Show Window) further emphasize his lingering affection. He directly references BIGBANG and reflects on their once-glorious era, hinting at a past that was brilliant but has now come to an end, as the five members have gone their separate ways.
Amid the heated discussions, current BIGBANG members Taeyang, G-Dragon, and Daesung have shown public support for T.O.P by sharing and promoting his new music on social media. Their quiet backing highlights the enduring respect and brotherhood among the group’s core members.
As for whether T.O.P’s lyrics are truly aimed at Seungri, the answer remains unclear. However, one thing is evident—his deep attachment to his past with BIGBANG continues to resonate strongly through every line of his music.
Sources: kenh14