After a year of public disputes and legal battles, NewJeans has officially returned to their original agency, ADOR. However, their comeback has not been as smooth as anticipated, revealing the complexities behind high-profile K-pop contracts and artist-agency relations.
A Tumultuous Return
The journey back to ADOR was marked by unexpected twists. After announcing the termination of their exclusive contract through a surprise press conference a year ago, the members of NewJeans had limited options as legal proceedings unfolded. When two members Haerin and Hyein declared their decision to return, the remaining three Minji, Danielle, and Hanni followed suit within hours, signaling a unified yet procedurally irregular comeback.


Despite the return, ADOR’s response appeared lukewarm. Industry insiders describe the situation as “NewJeans vs ADOR: Season 3,” highlighting that the dynamics of leverage and trust have shifted considerably. The group’s earlier legal loss in the first trial of their exclusive contract lawsuit further intensified pressure, leaving the members with little choice but to comply with ADOR.
Legal Battles and Psychological Burden
The first trial ruling, delivered by the Seoul Central District Court, concluded that the alleged contract breaches were insufficient to terminate the agreement. Experts note that NewJeans faced prolonged psychological strain from the ongoing disputes, compounded by internal confusion and the lack of a consistent public narrative. Music critic Kim Doheon explains that given the likelihood of repeated legal setbacks, returning to ADOR was a rational decision to avoid further financial and reputational risks.

Additionally, the year-long dispute created friction within the fandom and diluted the group’s innovative image. As a result, both NewJeans and ADOR face the challenge of restoring trust not only between themselves but also with the public.
Image and Market Position
Debuting in 2022, NewJeans quickly became a K-pop sensation, reshaping industry standards with their unique musical style, visual concepts, and performances. The group’s influence was so significant that they were considered a “post-BTS” phenomenon, setting trends across the K-pop market.

However, the dispute and hiatus posed challenges to their branding. Critics highlight that ADOR now faces the dual challenge of managing comparisons to the former management era led by Min Heejin while supporting the group’s creative direction. The K-pop market has continued to evolve rapidly, with new competitors emerging, making NewJeans’ return a high-stakes endeavor.
Prospects for a Successful Comeback
Despite the difficulties, experts remain optimistic. Critics note that music is the ultimate measure of a K-pop group’s impact. If NewJeans’ upcoming releases are strong, they have the potential to overcome any reputational challenges and reclaim their top-tier status. Furthermore, with ADOR and HYBE’s production capabilities, including Grammy-recognized collaborators, the group has resources to succeed both domestically and internationally.
As the group navigates post-dispute dynamics, the key to a sustainable comeback will be rebuilding trust, delivering high-quality music, and maintaining the innovative appeal that initially defined NewJeans.
Sources: Daum


